中央音乐学院音乐论坛讲座学者及音乐会介绍

　　李吉提 教授 Prof. LI Jiti

　　学术报告时间：11月13日 9:00—10:00 地点：501

　　Lecture 13th Nov. 9:00—10:00 Location: 501

　　1940年生于陕西延安。1949年来北京。1964年毕业于中国音乐学院作曲系并留校工作。1973年调往中央音乐学院，在作曲系任教。为中央音乐学院教授、历任中央音乐学院作曲系作品分析教研室主任、作曲系副主任；第七届中国音协专业委员会音乐理论委员会委员。中央音乐学院现代远程教育学院教授。沈阳音乐学院客座教授、沈阳音乐学院学报《乐府新声》特邀副主编。《福建艺术》编辑等。为享受国家政府特别津贴的音乐理论家和教育家。

　　先后在《音乐研究》《人民音乐》《中央音乐学院学报》《音乐艺术》《黄种》等全国性的核心学术刊物和各音乐艺术院校的学报等刊物上发表过自己的学术性文章近百篇。

　　Prof. Li Jiti，female, born in Yan’an City of Shaanxi Province, came to Beijing in 1949, graduated from the Composition Department of the China Conservatory in 1964 and worked there ever since, and was transferred to Central Conservatory of Music and worked in the Composition Department. As professor of music theory, she worked once as Director of Analysis of Musical Form Division and Vice Director of the Composition Department of Central Conservatory of Music. Also, she is the member of the 7th Musical Theory Committee of Chinese Musicians Association, professor of Modern Distance Education Institute of Central Conservatory of Music, guest professor of Shenyang Conservatory of Music, specially invited associate chief editor of “Yuefu Xinsheng” the academic journal of Shenyang Conservatory of Music, editor of “Fujian Arts”, etc. Prof. Li is a musical theorist and an educationist that enjoys special government allowance.

　　She has successively issued academic articles in national core academic journals and the academic journals of music conservatories and schools of arts, such as the Research of Music, People’s Music, Academic Journal of Central Conservatory of Music, Arts of Music and the Span.

　　讲座题目：根深方能叶茂——中国现代音乐分析谈

　　提要：

　　西方音乐与中国音乐有共性，也有差异。因为人类是有共性的，音乐必然也存在着共性，这是一个基本事实。正因为如此，人类才可能相互的沟通。但是，人类各民族生成和发展的过程也存在着明显的差异，不重视这些差异，也不利于世界各民族多元文化的发展。

　　中国传统音乐的独特性，影响了当代的中国音乐创作。我们必须站在中西两种音乐文化的基础上去迎接新事物。世上没有永恒的音乐分析理论。随着时代的变化，音乐分析的理论和技术也会变化。由于文化的地域差异，决定了音乐分析的理论的多样性。要关注中国现代音乐创作的新思路和新特点（结合具体作品谈）。

　　Topic: More deep the root is, more flourish the leaf is

　　-- Comments on Analysis of Chinese Contemporary Music

　　Abstract:

　　Western music and Chinese music share similarities, yet they have differences. Since mankind are similar to each other to some extent, it is a natural and undeniable fact that there are similarities among music of different styles, and therefore people from different background or ethnic groups could possibly communicate with one another. However, there are obvious differences in the emergence and process among different races, and it would be unbeneficial to the multicultural development in the world if disdain these differences.

　　The uniqueness of traditional Chinese music has influenced contemporary Chinese music composition. We should approach new thoughts and events based on both Chinese and Western musical cultures. There is no eternal music theory for analysis in the world. Time changes, so does the music analyzing theories and techniques. The geological difference in culture has resulted in the diversity of music analyzing theories. It is necessary to concern with any new thoughts and features presented in contemporary Chinese music compositions, which will be elaborated in detail with specific compositions.