中央音乐学院音乐论坛讲座学者及音乐会介绍

　　FMA讲座学者 FMA Visiting Professor

　　简巧珍 博士 Dr. Chiao-Zhen Jian

　　学术报告时间：11月12日 15:30—16:30 地点：501

　　Lecture 12th Nov. 15:30—16:30 Location: 501

　　出生于台湾南投县，国立政治大学外交系毕业，国立台湾师范大学音乐研究所硕士，中国中央音乐学院音乐学博士。现任教于国立台湾艺术大学、国立台南艺术大学、国立成功大学艺术研究所等。曾主持多项研究计划，包括文建会。除教学及研究工作外，曾主持多项文建会研究计划，参与两岸音乐学术会议发表研究成果，并为国内音乐杂志、报刊撰写短文、乐评及系列性文章。已出版专书包括《二十世纪六O年代以来台湾新音乐创作发展之轨迹》、《台湾客籍作曲家》、《王沛纶—音乐辞书的先行者》、《萧而化—孤芳众赏一乐人》。

　　Chiao-Zhen Jian was born in Taiwan, Nantou County, and graduated from the Department of Diplomacy of National Chengchi University, and earned a Master degree from Music Research Institute of National Taiwan Normal University and a Ph.D. of Music Musicology from China Central Conservatory of Music. She is currently teaching at the National Taiwan University of Arts, Tainan National University of the Arts, and the Art Institute of National Cheng Kung University. She has hosted a number of research projects, including CCA (Chinese Culture Association). In addition to teaching and research work, she has hosted a number of research projects of CCA, participated in cross-strait music Conference and publishing research results, and have written essays, critics and a series of articles for domestic music magazines and newspapers. She has published books including "The track of the music development of Taiwan in 20 century after 1960", "Taiwan Hakka composers", "Wang Pei-Lun – the pioneer of music dictionaries ", and "Xiao Er-Hua – a solitary music man with fame in public " .

　　讲座题目：根植于传统的创新—台湾音乐作品面面观

　　提要：

　　根植于民族传统是二十世纪中叶以来亚洲作曲家汲汲探索与尝试的创作理念，

　　「文化中国」曾经是深烙于台湾作曲家心中的音源与乐念，随着时间的推移与本土文化的崛起，反刍台湾传统并应用于于创作当中，成为更多作曲家的追求。本讲题将从「文化中国」与「台湾本土」的交融与蜕变，阐述台湾音乐发展的脉络，以及在此背景之下所展现之多元与丰富性，内容包含歌乐、器乐与国乐曲目。

　　Topic: Innovation rooted on tradition - Aspect of music composition in Taiwan

　　Abstract:

　　The main creation concept that Asia composers tried to explore since the mid-twentieth century is rooted in national tradition."Cultural China" was once deeply impinged in the minds of Taiwanese composers as sound resources and musical ideas. As time went by and the local culture rose, it has become the pursuit for more composers to ruminate over the Taiwanese tradition and apply it to their creations. The topics will cover the blending and transformation between “cultural China" and "Local Taiwanese" to explain the context of Taiwan's musical development, as well as to demonstrate the diversity and richness under the development, including songs, instrumental music and National repertoire.