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首演剧目：《准备》（Preparing）
剧情简介
1.准备，是一种状态，通常是有明确的目标指向。准备，也是一种不安定的状态，只是目标实现之前的一种过程状态。只是当目标越来越多，节奏越来越快的时候，准备也就渐渐变成了时刻准备。小时候似乎只有在唱少先队歌的时候才用得到的，现在却成为了普遍的生存状态：时刻准备着买房、时刻准备着还贷、时刻准备着升职、时刻准备着挣更多钱，时刻准备着更快地挣钱。。。
我们的目标永远无限，我们永远在时刻准备着。‘准备’让生活更美好。于是，在不知觉中，我们开始了‘被准备’。
2.当然，‘准备’也意味着更多的可能。作品从一团面团开始。此后，和面、拉面、揉面等行为多次出现，以此表达个人‘被准备’的状态和不可测。然而，每一个个人不光是常常被外界所‘被准备’，当个体的欲念诉求越来越多，每个小人物又何尝不是被自己无限膨胀的目标而‘被准备’呢。
在一派辽阔壮丽的盛景图画下面，李凝的凌云焰带领我们从底层的角度仰望。告诉我们，最可贵的和最美丽的其实就蕴藏在普通人的普通生命里。即使那么卑微，却如涓涓溪流，是汪洋大海般壮阔盛景的基本源泉，只是在那些时刻准备着的大事件面前，却往往忽视，甚至被冠以集体的行动而剥夺。
【准备】是在关怀环境。而且是社会环境，包括了最基本的生活方式、人群交往空间、社会组织等所构成的最代表一方水土的乡土人伦环境。而这，在以工业化为标志的现代化洪流的反复冲刷下早已成为一片荒芜，自自灭。
3.在这番小我的‘准备’与大环境的‘准备’的反复交织下，‘准备’与‘被准备’的界限渐渐模糊；在生活和社会发展节奏愈发加快欲念愈发不可收拾的时候，‘准备’与目标之间的界限渐趋模糊。当‘准备’和‘被准备’逐渐在我们的生活中占据了主导的时候，究竟我们是更富足了，还是更不安定了？那么，‘准备’的意义又何在？这成了一个血淋淋的问题。
好在凌云焰的【准备】不是喝问，而只是以最本我的表达方式，传递出一种关怀。戏剧作品有时候就是沉重生活里的一缕新鲜空气，就像作品到尾声时呈现给观者的那段如鱼儿般游弋的独舞，得在自在一般的情绪游动。或者答案就在其间。
1．Preparing, a kind of status, usually has accurate direction. While, preparation as a kind of unstable status is the only procedure before reaching the direction. When more directions are coming up, preparation become all-time preparation. When we were little kids, preparation only could be used to sing the Young Pioneers’Song, but now it is the common life status: preparing to buy houses all the time, preparing to pay the credit loan, preparing to promote, preparing to earn more money and preparing to earn money faster, etc
We have to peraring for things all the time because our directions are always coming up. Preparation gives us more and more beautiful life, then, we fall victims to preparation unconsciously.
2．Of course, Preparatoin means more posibilities. The work starts from a lump of dough, then the action of kneading and plucking the dough shows many times, it tell us the status of falling victim to perartion. While, one is not only falling victim to preparation by the outside world, but also falling the victim by the no-limited desire from his own inside world.
Under the splendid and beatiful society paint, Lining’s “Made in J-town” gave us an opportunity to watch the paint from the bottom and tell us that the most valuable beauty is in the common life of common people. Maybe they are not important, but they are the origin of the paint as little rivers. Only in the front of the all-time-prepared big events, they always are neglected and even disinherited.
Preparing is care about the social atmosphere, including the basic life style, communication space and social organization and so on as representative local human atmosphere. While, it is ruined by morden industrial atmosphere.
3．Under the personal Preparation and social Preparation combining with each other, the line of preparation and falling victim to preparation is becoming vague. When society is developing faster and faster to a non-stopped end, the line of Preparation and Direction is becoming vague. When Preparation and Falling victim to Preparation are becoming our main concerns, who can tell us that we are richer or more unstable. So, why should we have Preparation? It is a bloody question.
It is good that Preparation is not question, but a self express with a kind of care. Sometimes, the dramatic work is just fresh air in the heavy life, like the dance with freedom at the end of this work. Maybe the answer is here.
导演的话
此次演出的作品非常独特，是融合话剧，肢体，行为以及“厨艺”......的生活剧场，将会对观众的视觉、听觉、味觉、触觉、动觉......全方位产生冲击
This work is very unique, it is a life show which combines with drama, body language, behavioral art and cooking skills, etc. The audince will have a all-side feeling for the sense of sight, hearing, taste, touch and action.
2009’上海下河迷仓秋收季节戏剧节演出4天
2010’比利时根特艺术节演出4天
2009 Shanghai Mecooom Autumn Harvest Drama Festival, 4-day Performance
2010 Belgium Gent Art Festival, 4-day Performance
上海剧评家元味先生：
好在凌云焰的【准备】不是喝问，而只是以最本我的表达方式，传递出一种关怀。戏剧作品有时候就是沉重生活里的一缕新鲜空气，就像作品到尾声时呈现给观者的那段如鱼儿般游弋的独舞，得在自在一般的情绪游动。或者答案就在其间。
Mr. Yuanwei (critic from Shanghai):
It is good that "made in J town"'s "Preparing" is not about interrogation.Rather, it delivers the message of caring in an unpretentious way. Good drama works are not unlike the fresh air that diffuse into the heavy day-to-day routine. The solo dance at the end of the play is just like a free fish, swims in the sea of thoughts. And the answer lies within.
Frangsico：
对比去年李凝的《胶带》，更喜欢现在的《准备》，我和朋友说，我看到了不一样的李凝，状态非常好，内心的秩序有序、坚定并温和起来。这个社会的池中含杂着太多粘腻的糖分，李凝在其中迂回、前进、旋转，他成了一条鱼，每个人心中的大鱼。充满生命力的李凝在这个秋天成熟起来，望来年能有更好收获。
Frangsico:
Comparing with the "Tape" by Li Ning last year, I like "Preparing" better. I tell friends, I see a different Li Ning, in a more stable state, orderly and more tolerate. There is too much thick sugar in our life. Li Ning now rolls, turns, and advances in it. He has become a fish, a big fish in people's heart. Li Ning has matured, this autumn. I wish him a een bigger harvest next year.
王景国老师：
观潮观瀑观日落，很难语境确凿感识叙述，今日观李凝新作《准备》，是以如此现场境观。
演后掌声不息，不仅通常礼仪包含，观众以“震撼”形容观后感受实不为过。还有不识肢体剧和剧业当下情势的大学教授夫妇，激情爱心献资后，仍等待卸妆的李凝，是激情后，实质亲切鼓励的有话要说。
Mr. Wang Jing Guo
It was rather like watching a tide, a fall, a sunset, and hard to put into words. That was my feeling watching Lin Ning's new play "Preparing" today. The applause after the show lasted so long that it was not only a courtesy but also an expression of jolt. A professor couple, though not so familiar with the this kind of 'body language drama', waited patiently to meet the performer Li Ning after a passionate donation. They wanted to appraise him and encourage him.
演职员表
导演:李凝
副导演:王瑶 等人
演员：龚虎胜 秦磊 王瑶 徐浩 李凝 赵傻傻 田庆堂 丛军 赵东奎 于磊 等人
技术：王启鹏 等
“凌云焰”是一支在剧场表演、独立电影等艺术领域作出不凡成就的创作团队。
成军15年来，获得众多赞誉和奖项，受邀于国内外重要艺术节，其实验作品也引发热烈争议。
凌云焰被称作“肢体游击队”，那么他们是在和谁作战？是和那种把理想不断压榨抽干，并且把人变为各种奴隶的 生活 在作战！
"Made in J-Town" is a professional art team actively involved in theatric performance and independent movies. Founded 15 years ago, they have won many acclaims and awards. They have been invited to many art festivals nationally and internationally. Their experimental works have also generated controversies.
"Made in J-Town" is also known as "body art guerrilla". Who are they fighting against? They fight against a life without ideal, against a life where people have been enslaved by daily demands.
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